“I take very long to make works. If I don’t feel it with every ounce of my being, then I won’t do it. If I feel like something I’ve made is not aligned with what I really want to say, feel or experience, then I’ll destroy it.”

“The whole endeavour of painting consists of play, experimentation and exploration. I use different cloth surfaces as a way in which to observe how paint interacts with different textiles. It’s similar to how we explore different spaces or travel as human beings.”

“I’ve been using material from history books to piece together something completely different — a more intuitive or emotional history. By using the same materials in different forms, it proves that there isn’t just one narrative, and there is never just one narrative.”

Reading tarot is a complex exercise where a recognisable visual vocabulary links modern day decks to the historical. Yet how we understand them has shifted. How do we read images, and how have tarot readers and querants approached this art of divination?