Archives serve as repositories of important historical materials, yet they are not infallible. How can we make or remake meanings out of these materials, and suggest a mode of historical storytelling that is more inclusive, intersectional and considered?
Current Issue:
On Historicity
Current Issue: On Historicity
Alecia Neo
on the Histories of Hospitality, Beginning with Personal Stories and World-making through Generosity
Fazleen Karlan
on Archaeological Imagination, Articulating the Ache of Loss and Caring for the Present
Green Zeng on Working with Archives, Conducting Experiments in Fictional Truths and the Potential of Respeaking
Karin Oen (NTU Centre for Contemporary Art Singapore)
on Naeem Mohaiemen’s Two Meetings and a Funeral
on the Histories of Hospitality, Beginning with Personal Stories and World-making through Generosity
Fazleen Karlan
on Archaeological Imagination, Articulating the Ache of Loss and Caring for the Present
Green Zeng on Working with Archives, Conducting Experiments in Fictional Truths and the Potential of Respeaking
Karin Oen (NTU Centre for Contemporary Art Singapore)
on Naeem Mohaiemen’s Two Meetings and a Funeral
Featured Excerpt
“Where do we go from here? In the present day, with our current concerns and conflicts, where does this tradition actually sit? What does it do for us now? Do we need to reinvent new traditions, and can we look to the past for inspiration?”
Read the full interview with Alecia Neo here.
Browse By
Creative Conversations
Intimate conversations with artists, curators, researchers and creative minds
Expert Opinions
Conversations with curators, researchers, conservators and archivists about a single artwork within their area of expertise
Features & Articles
Long form articles on art and art history
Featured Documentary
Spaces for the Public Spaces for Democracy
Siah Armajani is an Iranian-American artist known for working at the intersections of public art, architecture and sculpture. In this video, we speak to director of the NTU Centre for Contemporary Art Singapore, Professor Ute Meta Bauer, about Armajani and his practice.
We will also be featuring some of our favourite artworks from the exhibition.
Watch other interviews here.
Object Lessons Space is an art historical archive and platform that documents conversations with artists, writers, and curators.
Through our work, we hope to create nuanced, sensitive and intersectional dialogue around art. In a cultural landscape where content is often driven by social media’s frenzied pace, we are committed towards facilitating honest conversations and slow consumption for our readers.
Through our work, we hope to create nuanced, sensitive and intersectional dialogue around art. In a cultural landscape where content is often driven by social media’s frenzied pace, we are committed towards facilitating honest conversations and slow consumption for our readers.
The trademark and logos on this website are the registered and unregistered trademarks of Object Lessons Space.
Nothing contained on this website should be construed as granting license or right to use any trademark without the prior written consent of Object Lessons Space. All of the images herein, unless otherwise noted, are copyrighted by the photographer and or institution credited. No part of this site, or any of the content contained herein, may be used or reproduced in any manner whatsoever without express permission of the copyright holder(s).
Nothing contained on this website should be construed as granting license or right to use any trademark without the prior written consent of Object Lessons Space. All of the images herein, unless otherwise noted, are copyrighted by the photographer and or institution credited. No part of this site, or any of the content contained herein, may be used or reproduced in any manner whatsoever without express permission of the copyright holder(s).